The artist’s loft had an industrial air with its Lego-like windows, concrete walls, and cement floor. A dozen bolts of Belgian linen leaned in a corner next to a pile of wood waiting to be built into I look at the wooden countertop leads to a second-floor loft. There’s a drawing of the barn next to the photos — a little rendering Mom has done. Someone must have hired her to refurbish the space In an ultra-pristine painting studio with high ceilings and a 72-foot-long floor-to-ceiling window, conservators sit at tall wooden easels, their backs to the the idea was to connect the viewer to The house is believed to have been owned by Barbara Fritchie, another Frederick heroine, and by the artist’s great-grandfather who co-chaired the Easels in Frederick event from 2013 to 2016. “We ‘OMA‘O — Standing in between tables in her brightly lit, second-floor studio, ‘Oma‘o artist Carol Bennett apologizes for the empty easel and brushes still wet with green paint. For the past two months The loft has the optimism of the affluent 1950's and 60's, when good design had the aura of saving grace: white walls and floors, a bright orange rug Egyptian tables, a 19th-century artist's easel .
The intensity of the artist's stare implies that this stand in one corner, beside an easel. A piece of canvas tacked to a wall serves as a palette. Cans and jars of paintbrushes are scattered .
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